2007, the first time Grameenphone sponsored Lalan. Photo: Amdadul Haq
The Selling of Lalon Phokir
by Zaid Islam for AlalODulal.org
Lalon Phokir has always been important to us for the past hundred years. But recently he has become just another venture to cash in on. Starting from individuals all the way to corporate houses and agencies have all realised that a “little bit of Lalon” is required to spice things up. Continue reading
Photo: Awrup Sanyal
Kabir Suman, a songwriter, a singer, a musician, a journalist, an author, an activist, and an ex-parliamentarian (Lok Sabha, Parliament of India, 2009-2014), probably needs little introduction. About a quarter century back when Suman burst into the musical firmament of Bengal it was a never-before-seen phenomenon in the contemporary cultural world of Bengal — he had an instant cult following. In this exclusive interview with AlalODulal Suman talks about music, religion, and Bengal. Continue reading
Artists featured at the Bengal-ITC SRA Music Festival. © Dhaka Tribune.
Our Political Misomusists
by Tibra Ali for AlalODulal.org
It is an elementary fact of linguistics that the same word can carry different meanings. In particular, the word ‘Indian’ can have multiple meanings. Continue reading
Burning Sensation and the Case of ‘Classical Music Festival’
by Seuty Sabur for Alal O Dulal
© Daily Star
I have never been a fan of ‘Prothom Alo’ but I do admire their power to master the wind and change their palates accordingly. Oh! How beautifully they manage to stir up the sentiments of both agony and ecstasy simultaneously. Continue reading
Anger and rage. Calls for prosecution for sedition. Invoking the Constitution. Expressing concern for future generations.
All standard fare nowadays. But this time, it was from unlikely sources: Mita Huq, Sadi Mohammed, Khairul Anam Shakil, noted singers all. What has aroused their wrath?
And what does Khiyo have to do with it all?
From K-Prime bio: These days in hip-hop when you hear the word Bangladesh you expect to hear the ever-present “a milli” beat following. However, to hip-hop’s newest recruit, K-Prime, Bangladesh is more than a producer’s signature drop, it’s his birth country. Moving from Dhaka to the Borough of Queens, New York at age three, Prime, who was born Anik Khan, was immediately introduced to music and politics by his father who was a poet and a political representative in his home country.
Or, something else altogether?…It is a gratuitous and simplistic binary, but we at AoD could not help notice that the same week that amateur terrorist Nafis’ photo was plastered on a shrill and scaremongering media (with the words “Bangladeshi” attached to an escalating fear narrative), the other face of Bangladeshi youth in New York is The Cosmics’ brand new video.
Mowla Boksh. Image: Zaid Islam
Remembering Mowla Boksh
Text, Image, & Video by Zaid Islam
Mowla Boksh, a legend of the Lalon Phokir gharana, breathed his last on 16 August 2012. May the Lord rest him in peace.
We don’t realise what we got until it’s gone. Mowla’s departure reminded me of this once again. I started remembering his unique craziness, his humour, his incomparable style of musical mastery, and how passionately he was constantly celebrating every moment.
I started to miss him.
Can you tell a wise man, by the way he speaks or spells? Is that more important, than the stories that he tells?
Asked the late 1960s blues band The Yardbirds. I was reminded me of that classic song by this comment:
So when I see a Bengali rapper, weak as their form may be, I want to celebrate them. Finally, some movement.