Can’t stand itCan’t stand itCan’t stand anythingAlways feel alone Can’t stand itCan’t stand itCan’t stand anythingAlways feel alone Walk on straight pathBut this life is twisted Can’t stand itCan’t stand itCan’t stand anythingCan’t stand it Everyone gets me wrongThe weight … Continue reading Bhallage Na (can’t stand it)
একাত্তরে স্বাধীন বাংলা বেতার কেন্দ্রে গীতিকার গোবিন্দ হালদারের লেখা সেই অবিস্মরণীয় গানগুলো হলো- ‘মোরা একটি ফুলকে বাঁচাব বলে…’, ‘এক সাগর রক্তের বিনিময়ে…’, ‘পূর্ব দিগন্তে সুর্য উঠেছে রক্ত লাল রক্ত লাল রক্ত লাল…’, ‘লেফট রাইট লেফট রাইট…’, ‘হুঁশিয়ার হুঁশিয়ার…’, ‘পদ্মা মেঘনা যমুনা তোমার আমার ঠিকানা…’, ‘চল বীর সৈনিক…’, ‘হুঁশিয়ার, হুঁশিয়ার বাংলার মাটি…’।
Continue reading “Red Salute to Gobinda Halder”
The Selling of Lalon Phokir
by Zaid Islam for AlalODulal.org
Lalon Phokir has always been important to us for the past hundred years. But recently he has become just another venture to cash in on. Starting from individuals all the way to corporate houses and agencies have all realised that a “little bit of Lalon” is required to spice things up. Continue reading “The Selling of Lalon Phokir”
Kabir Suman, a songwriter, a singer, a musician, a journalist, an author, an activist, and an ex-parliamentarian (Lok Sabha, Parliament of India, 2009-2014), probably needs little introduction. About a quarter century back when Suman burst into the musical firmament of Bengal it was a never-before-seen phenomenon in the contemporary cultural world of Bengal — he had an instant cult following. In this exclusive interview with AlalODulal Suman talks about music, religion, and Bengal. Continue reading “AOD Interviews Kabir Suman — Kobigan, the lost musical heritage of Bengal and more”
Our Political Misomusists
by Tibra Ali for AlalODulal.org
It is an elementary fact of linguistics that the same word can carry different meanings. In particular, the word ‘Indian’ can have multiple meanings. Continue reading “Our Political Misomusists”
Burning Sensation and the Case of ‘Classical Music Festival’
by Seuty Sabur for Alal O Dulal
I have never been a fan of ‘Prothom Alo’ but I do admire their power to master the wind and change their palates accordingly. Oh! How beautifully they manage to stir up the sentiments of both agony and ecstasy simultaneously. Continue reading “Burning Sensation and the Case of ‘Classical Music Festival’”
Anger and rage. Calls for prosecution for sedition. Invoking the Constitution. Expressing concern for future generations.
All standard fare nowadays. But this time, it was from unlikely sources: Mita Huq, Sadi Mohammed, Khairul Anam Shakil, noted singers all. What has aroused their wrath?
And what does Khiyo have to do with it all?
From K-Prime bio: These days in hip-hop when you hear the word Bangladesh you expect to hear the ever-present “a milli” beat following. However, to hip-hop’s newest recruit, K-Prime, Bangladesh is more than a producer’s signature drop, it’s his birth country. Moving from Dhaka to the Borough of Queens, New York at age three, Prime, who was born Anik Khan, was immediately introduced to music and politics by his father who was a poet and a political representative in his home country.
Continue reading “K-Prime: Dark Nights | Bright Dreams”
Or, something else altogether?…It is a gratuitous and simplistic binary, but we could not help notice that the same week that amateur terrorist Nafis’ photo was plastered on a shrill and scaremongering media (with the words “Bangladeshi” attached to an escalating fear narrative), the other face of Bangladeshi youth in New York is The Cosmics’ brand new video.
Remembering Mowla Boksh
Text, Image, & Video by Zaid Islam
Mowla Boksh, a legend of the Lalon Phokir gharana, breathed his last on 16 August 2012. May the Lord rest him in peace.
We don’t realise what we got until it’s gone. Mowla’s departure reminded me of this once again. I started remembering his unique craziness, his humour, his incomparable style of musical mastery, and how passionately he was constantly celebrating every moment.
I started to miss him.